Sunday, 16 October 2016

Deadpool Had A Baby - comics by kids


Another week, another handful of Comic Art Masterclasses at schools and Literary Festivals. In some cases both. The above pair of comic covers are from the creations dreamed up by a mix of kids at my Saturday workshops in the Barn Centre, Thame, Oxon, as part of the Thame Art & Literature Festival. A return booking, they'd bagsied me so far in advance that I was unable to do Saturday classes at...


...Isle Of Wight Literary Festival. Which was a shame as we'd had a highly enjoyable Friday night launch event and Saturday morning chat with our fellow writers there last year. As it was, the IOWLF had to settle for me doing two weekdays of classes in primary schools. Above was a pair of Year 4 groups at The Ryde School in, well, Ryde.



And these two schools were in Newport, another cracking set of comic creations. The comics they take away are A5 photocopied jobs, the colour is just a little bit of after-care service I like to do in my spare time. (And you can certainly see that I've started colouring The Feeding Of The 5000 strip, in my day job as a comics artist, because I'm going to town on full colour instead of just a bit of speedy spot colour. A fool to myself, I am.)


These are from a Saturday of classes at Countesthorpe College. And for the Yellow Banana comic cover, I suddenly realised I don't have to put a solid border round the cover every time. Allowing me to indulge in another little bit of comic cliche, the "bursting through" cover (an entire blog-full of which I discovered the other day.)



The celebrities these eight groups chose to tread on a worm were Donald Trump (three times), Simon Cowell, Katy Perry, Mary Berry, Declan Donnelly and Justin Bieber.



Kev F Sutherland, as well as writing and drawing for The Beano, Marvel, Doctor Who et al, runs Comic Art Masterclasses in schools, libraries and art centres - email for details, and follow him on Facebook and Twitter. View the promo video here. 

Monday, 10 October 2016

Me on the People's History Of Pop


Way back in February I recorded a couple of interviews for a show called The People's History Of Pop. One interview, shot in front of Conan in my old bedroom in Kibworth, was supposed to appear on the Midlands' version of BBC 1's Inside Out, but seems to have bitten the dust. However the main interview I did, in my freezing cold office at the start of the year, finally saw the light this week on BBC Four.  Here's the whole show on YouTube, and here's my short appearance.


The series of programmes is a marvellous nostalgia fest, looking at fans and memorabilia collectors, along with people who've been in bands, and anyone whose lives have been touched by pop music over the years. Our episode, part 3 of the series, covers 1976 - 85 and opened with me looking at my diary. The Picture Diary, which of course has its own blog - My 1970s Diary - started in 1974 and ran to late 1977, with me illustrating a full page every day, without a day missed. The thing that attracted the programme to me was my Records For The Day, which is what I talk about in the show.



Their interest in my diary has revived my own interest in it, and I'm uploading more pages from the three volumes I've been able to find (mid 1976 to late 77) as and when. There's a nice bit of cultural history in these pages and I'd love them to reach a wider audience some day. For the time being, have a glance at the blog and let me know if you like them.





Kev F Sutherland, as well as writing and drawing for The Beano, Marvel, Doctor Who et al, runs Comic Art Masterclasses in schools, libraries and art centres - email for details, and follow him on Facebook and Twitter. View the promo video here. 

Friday, 7 October 2016

Bla, Bla, Bla - new comics by schoolkids


The past week's comic travels have taken me to Ireland where, as a by product of having a delayed flight home and rattling round in a big hotel room on my own, I had time enough to add more colour than usual to the front covers of the comics the kids produced. I was a little extra inspired by the fact that both of the Dublin schools I visited had kids comics covers from my past visits still on display on the walls (one dating back to 2011, showing me how much slicker my covers have become over the years). These (above, from Clongowes Wood College) should look nifty in a frame.


These are from St Aidans in Tallaght, who have kids comic covers dating back to 2011 on the walls of the library. I'm still not sure what Big Stacks meant (the hormonal giggling of the 2nd Year boys (that's year 8 in old country money) made me think it must be sexual, but I'm still not sure). Eagle eyed readers will spot the alternative stacks I managed to squeeze in there. Spoiler alert, the answers are: a haystack, Giant Haystacks, a Marshall stack, Jean Genie loving chimney stacks, and Otis Redding who was on which record label..?



These comics are from Kingfisher school in Birmingham, a special school for pupils who've been excluded from other schools. It's good for me to see that I can rise to the challenge of more interesting and difficult classroom situations, and get good results from them all. Also squeezed in a Tardis, which is something you don't get the chance to do in Ireland (where Doctor Who can't get arrested).


And here we have the comics produced by pupils at Three Bridges School in Crawley, as part of a special day organised by The Beano. It wasn't my usual set up (usually I do a full workshop with 30 pupils maximum at a time, these groups had 60 and 90 in them and didn't run to the full length) so you might notice there are no contributions by the pupils themselves on the cover art. (Normally each pupil draws a little something on the cover while they're waiting for me to draw their individual caricatures - didn't I mention I can draw 30 kids in 30 minutes? - these classes had to live without any caricatures and only had half an hour to draw their comic strips in. But by god I made sure they were left with a good-looking cover!)



The celebs these kids chose for my never-gets-old Treading On A Worm demonstration were Ariana Grande, Kim Kardashian (twice), Donald Trump, Simon Cowell, Michael McIntyre, Lionel Messi and Katy Perry.



Kev F Sutherland, as well as writing and drawing for The Beano, Marvel, Doctor Who et al, runs Comic Art Masterclasses in schools, libraries and art centres - email for details, and follow him on Facebook and Twitter. View the promo video here. 

Monday, 26 September 2016

Socks, comics, classes, caricatures - a week of everything


So this would be me, in a cage, about to draw caricatures of a couple of hundred kids, in a basement 4 floors down in central London on a Sunday afternoon. All just part of the working week for a guy who, in seven days, has done a bit of pretty well everything he does.



The biggest novelty for me these days is getting to write and draw comic strips, but thanks to Bible Society I'm deep into the pencilling of my first full length comic book in ages - The Book Of Esther. I produced the Socks Go To Hollywood book last year (still on sale Socks fans) but that was a self-published job, the production of which stretched over more than five years. This is a proper commission, with a proper deadline, and 28 full colour pages, entirely devised, scripted, pencilled and inked (and lettered) by me. Well, the story was kind of knocking about before I got my hands on it, but I like to think my humorous take on the story will become the definitive version eventually.


As a result of having paying work to do at my desk, it's not so necessary for me to do Comic Art Masterclasses this month, so when the month ends, I'll have only done 4 days in schools, every one a gem. This was a rather odd one, being a Beano launch special day, paid for by The Beano rather than the school, in Three Bridges in Sussex. Rather than working with two classes of 30 who produced a comic together and all went home with comics and caricatures, this event had me working with 60 kids in the afternoon and 90 in the morning, far more than I can run a workshop with. But we did what we could (no caricatures and, as the Eagle-eyed will spot, no time for the pupils to add their contribution to the front covers) and everyone had fun, while getting a sneak peek at the new Beano logo and the new look Dennis and Gnasher.


The big event of the week was the return to the stage of the Scottish Falsetto Sock Puppet Theatre after very nearly a month off. Since we packed up the set after the last night in Edinburgh, the Socks have resided in a bag and I've basked in the memory of how strong the Socks Do Shakespeare show was. I've edited up videos from the show and been busy promoting the tour. I've even started to talking to people about getting us on TV and radio. But the return to the stage had to wait until Friday night in Derby, opening the bill with a 20 minute set at the Bell Hotel in Derby. I learned, or was reminded of, a few things.

1) Edinburgh is not like the rest of the world. I made the mistake of trying to do mainly Socks Do Shakespeare material in this 20 minute slot in front of people who'd never seen the Socks before. When we popped our heads up and were greeted with stunned silence,as opposed to the rapturous applause that happened every night in Edinburgh, we realised we had a harder job to do than one does when the audience has paid expressly to see you. 


2) Be prepared. We had major sound problems. No technician, and no promoter or spare person available to play in the sound cues. This meant I had to plug in and sound check my iPod singlehandedly (for the Socks sound cues that run through any of our sets however short) then recruit a friendly member of the audience in the front row to play the tracks in for me. We've got away with this before, and in fact the biggest laughs of our set came from dealing with the situation that arose and talking to my makeshift sound engineers. But the bottom line was that the sound cues wouldn't play. Be it dodgy cable, dodgy operators or what, I couldn't get the opening I'm A Sock song (with which I can usually win the crowd round, and assess what kind of audience they are) to play. I also wasn't going to be able to get Michael Jackson's Earth Song, another banker, or Walk On The Wild Side, or Sweary Poppins. All my safety nets relied on sound cues, and without them the Socks could only do verbal routines. And - error of errors - I'd chosen to do Socks Do Shakespeare routines instead of the safest-of-safe banker routines. I hadn't brought the props for the Magic routine, and I'd decided not to open with Halloween. In short, I wasn't prepared to rescue us from the most challenging of situations (cold crowd, no sound) and we ended up bottling after only 15 minutes, having pulled off a pretty successful Richard III routine, and ending of applause. But it was far from a triumph.


So luckily for me I had another gig the following night, and this time brought the magic back. Well, literally, cos I brought the Magic routine back, performing it for the first time probably this year (it's all been Shakespeare round these parts this year). I was playing a short-notice gig at Badock Halls of Residence at Bristol Uni, part of their Freshers Week events. I had no idea how it was going to go, student events being an unpredictable beast, they could have been a rowdy drunken uphill battle. I could even have a repeat of the previous night's technical problems. So I spent a good bit of the daytime getting my practice amp out (used for smaller gigs), and getting all the plugs, leads, batteries and cables. And most importantly I lined up a different set.

It was to be a 30 - to - 40 minute set tonight (depending on how well it goes, one says for a corporate gig of this sort) and I was, at first, thinking I'd give them Shakespeare. But after the Derby experience, I learned the third lesson of the weekend:

3) Be brave enough to play safe. I went right back to the bankers. So the set opened with Loos, Hitchock, Excorcist and Zombies, then I'm A Sock - of course the sound was perfect tonight - then Halloween, Earth Song, Ship In A Bottle and Magic. By which time we were ready for a finale. I gave them a choice of Star Wars or Shakespeare, and they chose Shakespeare. So I gave them a rollicking Richard III. And, because they were enjoying it so much, we gave them Star Wars as well. The we ended with Sweary Poppins and went off having done a 45 minute set. And killed. It wasn't the biggest crowd, only about 30 in the end (apparently they were mostly burnt out after a week of partying) but the organisers were talking about having us back later in the year. Pretty well a perfect result, and the sort of gig you need to remind you that you do actually know how to do this job. If you remember the important lessons.


Then on Sunday we were up at the crack and off to that London for a very special event. The Beano Experience. A top secret, exclusive, can't-tweet-in-advance event, it took place in a basement 4 floors down in an exhibition space across the road from Madame Tussauds. There was a reconstruction of Dennis's bedroom then an entrance through a wardrobe of his jumpers, a gunge tank, a bouncy area, computer screen interactive bits, the two Nigels and Nika doing drawings and signings, a merch shop, food stands, and of course the drawing area which involved me in my cage drawing caricatures. An awful lot of staff in Beano shirts and Dennis jerseys, an MC, a DJ dressed as Minnie (whose name was, genuinely, Minnie), exclusive video reveals on the big screens, with lots of props and rigging, so it wasn't cheap to set up and run. And all the kids were in and out in 90 minutes. It'd make its money back if it was run as a paying event (probably not in central London). But the aim was to make a publicity splash, and hopefully it has. 




So, a week of pretty well everything I do. I've even uploaded a few videos (nothing brand new, but Magic's been dug out for the first time). And I worked through the weekend, Friday night (5 hour drive to Derby, did I mention? Then overnight with Mum), Saturday night, and all day Sunday. Onwards and upwards, back to the desk.


The Scottish Falsetto Sock Puppet Theatre do Shakespeare on Tour through Spring 2017.

TOUR DATES 2016
October 1st - Spread Eagle Croydon
Oct 7 - Ace Centre, Nelson, Lancs
Oct 19 - Angel Comedy, Islington, London 8pm
Oct 21 - Ropery Hall Barton
November 3rd - Canterbury Festival
Nov 5 - Watford Library
Nov 11 - Notts Comedy Festival 

TOUR DATES 2017
Feb 15 - Buxton Opera House 
Feb 17 & 18 6.50pm - Kayal, Leicester Comedy Fest
March Glasgow Comedy Festival dates tbc
Apr 6 - Victoria Theatre Halifax 
Apr 8 - Rondo Bath 
Apr 13 - Hexham Queens Hall 
Apr 22 - Swindon Arts 
Apr 27 - Stroud Subscription Rooms 
May 5 - Artrix Bromsgrove
May 6 - Stafford Gatehouse
May 19 - Carriageworks Leeds
June 2 - Eden Ct Inverness
May Brighton Fringe dates tbc
Walker Theatre Shrewsbury tbc
Barrow In Furness Forum tbc

Many more dates to be added and confirmed. Follow us on Twitter and Facebook.

Sunday, 25 September 2016

Magic - Socks classic online for the first time


Coinciding with them performing it for the first time in months (at their gig tonight at Badock Hall, Bristol University), I've uploaded a bit of Magic.

Magic, a routine which attended to our live shows will have seen in comedy clubs and theatres around the world, has been one of the staples of our set since we devised it to perform in 2010's inaugural Edinburgh Magic Festival in July of that year. It went on to be a part of ...On The Telly, our biggest selling Edinburgh show that August.



Since then it's been in the opening act of the touring show, was part of the Adelaide show, was last seen in Edinburgh as part of the Family Show Chunky Woollen Nits in 2012, and is in our club set to this day. This video clip, which I'd forgotten we'd recorded, was part of a compilation I made for CBBC for them to show to kids in schools as part of a bid for us to break into telly*. Do please enjoy it, but remember, it's better live. (It'll most likely be in the opening act of the 90 minute touring version of Socks Do Shakespeare in the Spring, see below)


The Scottish Falsetto Sock Puppet Theatre do Shakespeare on Tour through Spring 2017.

TOUR DATES 2016
October 1st - Spread Eagle Croydon
Oct 7 - Ace Centre, Nelson, Lancs
Oct 19 - Angel Comedy, Islington, London 8pm
Oct 21 - Ropery Hall Barton
November 3rd - Canterbury Festival
Nov 5 - Watford Library
Nov 11 - Notts Comedy Festival 

TOUR DATES 2017
Feb 15 - Buxton Opera House 
Feb 17 & 18 6.50pm - Kayal, Leicester Comedy Fest
March Glasgow Comedy Festival dates tbc
Apr 6 - Victoria Theatre Halifax 
Apr 8 - Rondo Bath 
Apr 13 - Hexham Queens Hall 
Apr 22 - Swindon Arts 
Apr 27 - Stroud Subscription Rooms 
May 5 - Artrix Bromsgrove
May 6 - Stafford Gatehouse
May 19 - Carriageworks Leeds
June 2 - Eden Ct Inverness
May Brighton Fringe dates tbc
Walker Theatre Shrewsbury tbc
Barrow In Furness Forum tbc

Many more dates to be added and confirmed. Follow us on Twitter and Facebook.

* Re that CBBC video. In the end I don't believe it got shown in any schools. As far as I can ascertain, some schoolkids were simply shown a photo of us but no video clips and asked "would you like a series of this?". Amazingly we're not on CBBC yet.

Friday, 23 September 2016

Socks Do Shakespeare - The PRS Form


It's tour-booking time, and as I line up the dates for 2017's Socks Do Shakespeare tour (see below, more being added all the time), I'm starting to fill in contracts. And, in some instances, but not all, a PRS form. This is a technicality which often catches me out as, frankly, I forget what music is going to be in the show and where on earth it all came from. So, here, for memory-jogging purposes as much as anything else, is the breakdown for Socks Do Shakespeare. (Makes mental note: for the 90 minute version of the show I'll need to add three other numbers. Bugger, I'll do that later).


Title of work
Duration
Composer
Arranger
20th Century Fox
30”
Newman
Newman
Respect
30”
Redding
Cropper
Brush Up Your Shakespeare
1’30”
Porter C
Sutherland
2’
Albarn
Sutherland
1’30”
LeBrunn (died 1905)
Sutherland
1’
Ulvaus, Andersson
Sutherland
Love Story
1’
Swift T
Sutherland
Well Did You Evah
1’30”
Porter C
Sutherland




Off Stage/Incidental



Romeo & Juliet
15”
Tchaikovsky
Sutherland
30”
Fieger, Averre
Sutherland
30”
Hatch T
Sutherland
30”
Murray M
Sutherland
30”
Acuff, Dean
Sutherland
30”
Guest, McKean, Shearer
Sutherland
30”
Murray, Weston (d. 1936)
Sutherland
30”
Jolly, Swain, Ingram, John
Sutherland
30"
Stewart, Nash, Harrell, Carter 
Sutherland

If anyone was wondering what the incidental music was while you were coming into the show, there it is. Our versions of, naturally. (Click to see the vids for any of the individual tracks highlighted)




The Scottish Falsetto Sock Puppet Theatre do Shakespeare on Tour through Spring 2017.

TOUR DATES 2016
October 1st - Spread Eagle Croydon
Oct 7 - Ace Centre, Nelson, Lancs
Oct 19 - Angel Comedy, Islington, London 8pm
Oct 21 - Ropery Hall Barton
November 3rd - Canterbury Festival
Nov 5 - Watford Library
Nov 11 - Notts Comedy Festival 

TOUR DATES 2017
Feb 15 - Buxton Opera House 
Feb 17 & 18 6.50pm - Kayal, Leicester Comedy Fest
March Glasgow Comedy Festival dates tbc
Apr 6 - Victoria Theatre Halifax 
Apr 8 - Rondo Bath 
Apr 13 - Hexham Queens Hall 
Apr 22 - Swindon Arts 
Apr 27 - Stroud Subscription Rooms 
May 5 - Artrix Bromsgrove
May 6 - Stafford Gatehouse
May 19 - Carriageworks Leeds
June 2 - Eden Ct Inverness
May Brighton Fringe dates tbc
Walker Theatre Shrewsbury tbc
Barrow In Furness Forum tbc

Many more dates to be added and confirmed. Follow us on Twitter and Facebook.
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