A lovely week of schools in Ireland, expertly organised by Martina, the librarian at St Aidans. And ironically the one school I didn't end up visiting was blooming St Aidans. Sorry Martina, how did that happen? The week goes Dublin, Dublin, Kerry, Dublin, Dublin, so I was kept busy.
Friday, 12 April 2024
Mewlicious Sigma - Comics by kids in Ireland (part 1)
Sunday, 7 April 2024
Selling comics in schools - Irish experiment
On the one hand I recently discovered kids in schools could buy books, as per this blog. On an additional finger of that same hand, last summer I tried selling books on a trip to Northern Ireland and did so well I ran out of books, as per this blog. And, if the fingers on hands metaphor can stand it, this week I'm about to do five days of classes in schools in Ireland. So, place your bets, am I going to sell lots of books or not?
On the other hand, the kids who bought books in schools recently were all in primary schools, and this week will be all secondary schools. So will we discover secondary school kids don't buy books? On an additional finger of that same hand, in Northern Ireland it was all the parents of kids in my classes that were buying the books, whereas this week I'm working directly with kids, who need forewarning before they'll come in with money. Added to which, on another one of these fingers, we've just had the Easter holidays which means the kids most likely haven't even been told about my visit let alone about the chance to buy books.
And, to add to the variety of variables in this situations, I've only been able to squeeze 20 copies of Richard The Third into my bags anyway, see photo above. (How I fitted 30 into my bags last summer, I don't know. Is Richard that much thicker than the other books?*). So I'll be selling a maximum of 20 books, which would be a marvellous thing and would pay for a night and a bit in one of these hotel rooms I'm forking out for.
Or a minimum of no books, which will lead me to re-examine how much extra I paid in order to have a bag in the hold so's I could bring those 20 books. What's the betting it's about the same as the potential profit from 20 books?
*NB Last summer it was copies of three different books I was selling, so one punter could actually buy all three and regularly did. That already limits this trip's sales potential. That said, the primary schools last month were only buying Richard The Thirds.
It's Sunday as I type this. Let us see how Monday to Friday in five different schools in Dublin and County Kerry pans out.
Day 1, Monday in Finglas. Ciaran the librarian buys 4 books. And we discover my iZettle credit card reader won't work in Ireland so we'll add it to my invoice.
Day 2, Tuesday in Tallaght. Linda the librarian buys two books, added to invoice.
Day 3, Wednesday in County Kerry. She tells me they're getting rid of books and going digital. No sales.
Day 4, Thursday in Dublin, Annie buys five.
Day 5, Friday in Dublin, Lorna says "I'll take ten", and I only have nine left. A complete sellout and a fine end to the week. Even better, she displays them. Result.
Saturday, 6 April 2024
Joseph, Ruth & Other Stories - a new book
Following the success of Richard The Third, and by way of an experiment, I've resized and repackaged a selection of my Bible strips, including some that haven't previously been collected, into a new full colour 132 page A5 paperback - Ruth, Joseph, & Other Stories. On sale now on Lulu, hopefully emerging soon on Amazon. It's £14.99, which I know is a bit steep, but such is the problem with an all colour book. (On the plus side, I can get author copies at £6.05 + postage each, so should be able to sell them at an affordable price at live events).
Friday, 5 April 2024
Traditional Publishing, work in progress
Here we see a couple of pages of my King Lear work in progress, coloured in experimental spot colours. These were done on the suggestion of the editors who I went to meet this week, along with my agent, all as part of the process of, hopefully sometime down the line, getting my work traditionally published.
It's definitely going to be a long game, with a lot of waiting and a lot of potential disappointment, and it could all wind up with nothing getting published by anyone. But it feels like we're making progress, and today was very exciting because, as far as I can remember, I've never had a meeting with a publisher before.
To bring myself up to speed, and to keep some sort of record of things (which I will inevitably forget as we go along) here's the story so far. September 2023 I sent Richard The Third out to every agent I could find. October Emily Talbot got back in touch, and by November I had myself an agent. From October to February I worked on spec pages of a new Midsummer Nights Dream, Twelfth Thing and King Lear to give Emily work to send to publishers, which she started doing in February.
5th March, first response came from Chloe at P*** R*** H*** who said "I discussed this with the team yesterday. We're being cautious about how many colour/graphic novel projects we take on at the moment, as we have several in the works and want to see how they sell-in. For the right project we would definitely be keen, but in this case the feeling was that the level of detail younger kids study Shakespeare at is perhaps a bit more general than is covered in these retellings. We weren't so sure about the art style ageing up.
Thanks for sharing, always interesting to see what author/artists are up to and who is out there, because I do think these projects are more manageable with one creator."
I found this quite promising, it's nice to be being taken seriously.
Then we heard back from H*** who asked Emily and me in for a meeting, which we had in London on April 4th. It was a good meeting. They'd like to see some new pages, experimenting with a different style of layout. I'll also do some spec pages on a new Shakespeare title (R&J), and on another angle of book we discussed.
As I say, this could all come to nothing, because as Emily explains, even though my two editors (another Emily, and Aliyana) seem very keen, the next people they'd have to take it to, at the publishing and marketing level, could very easily say no. So it's a long and unpredictable process, but it feels like something's happening, and it gives me work to get on with, which is exciting. And I end up with work which, if nothing pans out, can still turn into self published books. So it's all good.
To be continued...
Thursday, 4 April 2024
March book sales
My exhibition table space at Bristol's UKCGF one day comic con. These events continued to be bigger sellers of books than ever before. But could they have found a new challenger in the form of kids in schools? Lets have a look at those totals for March 2024.
Sales of my books for March 2024, ranked in order of takings
Feb, - £26.76, Jan - £26.41, Dec 2023 - £109.94, November - £107.53, October - £14.23, September - £18.76, Aug £33.34, July £27.60, June £29.94, May £48.33, April £52.26, March £8.56, Feb £38.57, Jan £35.25, & Dec 2022 £26.84
Feb £23.48, Jan £44.43, Dec 23 £131.22, Nov - £152.34, October - £51.92, Sept £0, August £13.98, July £48.93, June £55.92, May £58.05, Apr £171.05, Mar £80.86, Feb £44.50, Jan £82.86
Blurb Mar sales - £1.18 - 2 sales
D2D/Ingram Mar sales - $4.03 - 38 sales (but most of those were Smashwords free promo sales)
Richard The Third - $1.19
Sunday, 31 March 2024
Alan Seaman 1959 - 2024
Dreadful news for comedy lovers, I’m afraid my old friend Alan Seaman has died.






















