Sunday, 15 December 2024

TV Of The Year 2024 - Part 4: My Top Ten

We’ve looked at the Staples, the Podcasts, the Sequels: we’ve looked at the ones we couldn’t remember and the ones that Lost It: we’ve even discussed the Biggest Disappointment of the Year. Now all that’s left are the shows that I think qualify as the Top Ten TV of 2024


10 - Doctor Who (BBC) - If only so that the poor old BBC can get a mention at the top end of my chart, Doctor Who is back in its traditional number 10 slot (as it was in 2011, 2013, 2017, 2018, 2020, and 2023. If you must know, its highest position was 2014 at No 4). In the middle of this short series, while we were enjoying episodes like Boom, 73 Yards, and Dot & Bubble, this was shaping up to top my chart of the year. I was loving it, regardless of how frustrating it was having two Doctor-lite episodes out of 8, just as we’re getting used to a new Doctor. And there’s no denying it started shakily, with the music-drenched comic strip nonsense of Space Babies, and the audience-dividing Fat Beatles story (Devil’s Chord), which I liked. I liked Rogue too, despite the silly bird masks and the diverting love story (which I bet gets forgotten). But those final two episodes, with Ruby’s disappointing Mum reveal and Sutekh the annoying dog, were just bad. They were the poo in the punchbowl that put paid to any love for this series. Here’s hoping it wins us back next year.



9 - Agatha All Along (Disney) - Now this is how you spend a stupidly large budget on a comic book franchise and keep it entertaining. This ploughed its own furrow, was a musical about big gay witches without clashing with the summer’s movie offering of something that fits a very similar description, and was a Marvel series you could enjoy without having to do homework in advance. (Okay, it helped if you remembered Wanda Vision from five years ago, but it wasn’t vital). Unlike the songs in this year’s Doctor Who, Down The Witches Road is a solid corker that’ll be on loads of playlists by now. And the episode where they killed off Patti Lupone (spoiler alert, but really, not a thing), was a stand alone treasure. Mind you, if Loki is anything to go by, season 2 of this will go off the rails and down the pan, you just watch.



8 - Fantasmas (Sky/Now) - A hidden gem that I’ve not heard anyone else even mention, let alone have an opinion on. A camp surrealist comedy written by and starring Julio Torres, across whom I’ve never come before, this fell somewhere between The Mighty Boosh and Over The Wall, with touches of Pee Wee’s Playhouse and Mr Show. A surprising array of star guests for such a low key show, included Emma Stone, Natasha Lyonne, Tilda Swinton, and heaps more. Worth seeking out, wherever they hide it next.



7 - Severance
(Apple TV) - When we got Apple TV this year, I asked for recommendations and this was by far the most often suggested. It’s easy to see why. Quite the most mysterious show to begin with, going at its own pace and revealing its secrets slowly. The sci fi conceit was smashingly original and the twists were brilliantly unpredictable. The cliffhanger the season was left on means the new season, starting in January, can only disappoint. I really hope it doesn’t.



6 - Rivals
(Disney) - I confess I was ignorant of, and perhaps even prejudiced against, Jilly Cooper’s “bonk-busting” Rutshire novels, and would have had no high hopes for this, had it not been vouchsafed by Marina Hyde and her inside knowledge. The adaptation seems to have been a labour of love for Dominic Treadwell Collins who’s wanted to make this all the way through his career on Eastenders and beyond. Everything from the 1980s period details to the accurate evocation of the morals and mores of the time is captured perfectly when needed, and exaggerated in the most enjoyable pantomime fashion when called for. Spot on characters, perfectly convincing relationships, devilish double crossing and back stabbing, and lots of something which is quite rare today, raunchy sex without it being weird or scary. And a TV drama where no-one has to die every other episode, surely that’s something we could do with more of. A joy and a treat, and I do hope they plan to adapt more.



5 - Ripley (Netflix) - Cinematography and sound design are something I often forget about, and too often big-budget TV shows spend all their money building fantasy worlds and show-off shots that can at times add little to the storytelling. So it was a delight this year to have a period piece, an adaptation of a 1950s crime novel, that devoted as much care to the visuals as this did. Steven Zaillian, the screenwriter of everything from Schindlers List to Gangs Of New York, has written and directed this and nails every detail. The black and white photography is so well chosen, and full of outstanding images throughout.The evocation of 1950s Italy is perfect and you’re not taken out of the world for a second. Then, within these frames, he takes us through the drama with such an exquisite sense of tension that it becomes the most gripping experience.  Andrew Scott is suitably creepy and charming. I’d like to think this was what Patricia Highsmith had in mind.



4 - Fargo 5
(FX/Amazon) - Escaping the Sequel Zone by quite a wide berth, the fifth season of Fargo started the year with a bang, setting a benchmark that every subsequent show had to try and match. Few did. I’d never seen Juno Temple in anything before, so had no idea she was English. Noah Hawley’s story is, as always, nuttily unpredictable, with a cosmic and spiritual layer and mystery running through it all. The characters and performances are all smashing and original, the violent extremes quite painful, the bottle episode with the marionette one of the nuttiest of the year, and the denouement just wonderful. The show about which “you didn’t see that coming” is very much a mantra.



3 - Baby Reindeer
(Netflix) - Not long ago this would have been either a BBC 2 or Channel 4 show. I can’t imagine anyone suggesting, even five years ago that a drama based on a true story of a comedian at the Edinburgh Fringe would be the sort of thing the Americans would be funding for international sales. But that’s what happened here. Of course, had it been made by the established broadcasters rather than the upstart ‘disruptor’ Netflix, someone in the process would have cleared it for compliance, and it wouldn’t have got itself in such trouble by apparently libelling a couple of real people. But it’s an ill wind. As well as having a TV classic to look back on, Netflix will, by now, have a well supported Compliance Department of its own. Well done Richard Gadd. Which reminds me, I need did find out who the real life counterpart of the bad guy in this is. Does anybody know?



2 - Slow Horses 1 - 4
(Apple TV) - As mentioned above, this is one of those shows that would very much have been a BBC 1 production in the not too distant past. Set and shot in London, adapted by Will Smith of The Thick Of It, directed by guys who’ve previously done Doctor Who, and starring the actor who was the lead in my top TV show of last year (Jack Lowden was in BBC 1’s The Gold), it’s a BBC 1 flagship drama from top to toe. Except it’s on Apple TV. Has that slightly bigger budget made it any better? It’s hard to tell. But despite the fact that’s it’s a milestone marking the demise of broadcast TV as we know it, and the BBC as we remember it, Slow Horses is a triumph. The books are clearly brilliant, and these adaptations, four seasons of which we have managed to blitz in one year, are as good as TV action film making gets. 


1 - Mr Bates vs The Post Office (ITV) - I have no qualms about putting the populist choice at the top of my personal tree. After all, it was this TV show, and the true story it shone a light on, that gave me the first new Scottish Falsetto Socks show for three years (I performed my version at the Leicester Comedy Festival in February and will be doing it again next year). And as well as being a moving drama in itself, it is a stunning reminder of quite what a uniting force television can be. This ne little miniseries, snuck out on ITV 1 in the first week of the year, served to tell the country at large about a scandal which many of us knew about (thanks in my case to Private Eye and Radio 4) but few had taken sufficiently seriously. Once the truth was out there on such an inescapable scale, actual genuine change happened in the world. It may be the most influential television programme since Cathy Come Home, sixty years earlier. Now the big question is, will ITV try and repeat the trick this January? And if so, what scandal will they have a stab at this time? The Windrush Scandal? The Panama Papers? Those buses with dodgy brakes that occasionally run people over in bus stations? Only time will tell.


And that was my favourite TV of 2024. I have no doubt every single person who’s bothered to read this completely disagrees. I welcome your feedback. And a Happy New Year when it comes. 

My TV Of The Year 2023

My TV Of The Year 2022 

My Top TV of... 2021 • 2020  2019  2018 •  2017 • 2016 • 2015 • 2014 • 2013 • 2011 • 2009



My Books and where to get them:

Richard The Third Amazon - Etsy - Barnes & Noble - Waterstones
Findlay Macbeth - Amazon  - Etsy 
Prince Of Denmark Street - Amazon - Etsy - Kindle
Midsummer Nights Dream Team  - Amazon Etsy 
Shakespeare Omnibus Collection (all 3 books) - Paperback

Sweet Smell Of Sockcess - Putting A Show On At The Edinburgh Fringe - Amazon - ebook
Who Notes - Doctor Who Reviews - Amazon - Lulu - ebook
Space Elain - Amazon - Lulu - iBooks - Barnes & Noble 
Tales From The Bible - Amazon -  Etsy - Webtoons
The Book Of Esther - Lulu  - Amazon - Webtoons
Joseph, Ruth & Other Stories - Amazon
Captain Clevedon - Amazon
Tales Of Nambygate - Amazon  



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