Sunday, 25 June 2023

Telly and twaddle - my June Facebook musings


My latest favourite TV show: Poker Face. Who else is watching it?

It is, in the best possible ways, reminiscent of the TV series of my youth: one part Columbo, one part Incredible Hulk. And it is all stand-alone episodes, not a series-long story. When did that stop being a thing?

Only two episodes in, and loving it. No spoilers, but its format, indeed it’s contrived structure, formula even, reminds you how rarely TV does shows like this any more. I am loving playing along with the Spot The Clue nature of the show - did I mention two of my favourite shows as a kid were Whodunnit and The Ellery Queen Whodunnit?

Also it’s by Rian Johnson, whose Knives Out was a major inspiration for my third graphic novel (the one where I turned Midsummer Nights Dream into a heist movie). Recommended. 

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On the plus side, in todays Derby at Epsom no Emily Davisons have been killed.
So there’s that.


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Re: Confess Fletch

Well, this wasn’t very good. Not as unsuccessful as last week’s Quantumania, at least we saw this one through (having chosen it partly because it was only 90 mins long). But it seemed so old fashioned, a very 1980s script. And Jon Hamm just doesn’t work. It was as if every line had been written for 1980s Bill Murray.
If you watch it, and I would urge no haste in that regard, try hearing all of Jon Hamms lines read by Bill Murray. See? Suddenly it’s a lot funnier.
The plot, though, remains pedestrian. Given the plethora of comedy crime thrillers around these days, and the great scripts many have, this is very very dated.

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Asterix and the Mansions of the Gods was fun. Possibly the closest visual adaptation of a comic since Watchmen, with story expansion that gets a bit silly but, for kids, isn’t at all bad. I only have two quibbles.
One: the slaves, obviously. But moving on from that…
Two: the voice casting. The edition we watched on Disney has been re-re dubbed, from the American version to a new English cast. And I do mean English.
There’s a syndrome I named the Watership Down Syndrome, 40 years ago watching the film of that name, in which a cartoon had used every top British stage actor of the day, and hadn’t realised that, when you can’t see their faces, plummy RADA actors all sound the same. (Can you tell Ralph Richardson, John Geilgud, Ian Holm et al apart? Cos we couldn’t)
Asterix ATMOTG suffers this syndrome badly. For a start, all the Gauls are posh and English. What? Indomitable Gauls from *checks every single book* The North? And then there is some casting which doesn’t help tell characters apart.
Nick Frost is a good Obelix, largely cos he does it as Jim Broadbent. Jim Broadbent is an okay Caesar, except he doesn’t sound enough like Jim Broadbent. Matt Berry is a great Vitalstatistix, and Greg Davies is the best bit of casting, as an excellent Centurion.
But do you know who’ve they’ve cast as Asterix? Do you? Go on guess.
Jack Whitehall. Jack Whitehall as the short, acerbic, Northern Gaul? Didn’t work for me. Nor did Harry Enfield as a Roman citizen doing a midlands accent that made him hard to actually hear.
Worst stunt casting was the double act of Fulliautomatix and Unhygenix. The Chuckle Brothers might have been good. Or Vic and Bob. Instead they chose to cast two performers whose voices you’d never pick out in a blind test, let alone cast as cartoon characters: Dick and Dom. I know.
It’s from 2014, so I know I’m a bit late to the party . Still, a bit of fun.


You know when you dread looking at Twitter cos you just know Ed Sheeran will be trending?

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The good news? I just asked at the pharmacy “where do I pay for my prescription?”
They said: “You don’t”
The less good news: Dammit. I’m so old I don’t pay for my prescriptions!
NB: To readers in the USA this post will make no sense. Sorry.

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Today's Amazon bargain, my 1960s Pop Star Colouring Book is on sale for just £5.94. It's 90 pages, with articles on each of the artists as well as hand drawn images by me.
Again, this is lower than the RRP and lower than I can get copies myself! I dunno if I get money for this, but it's a steal for you.
And, by the way, it's a great book


That moment when you realise you’ve seen someone’s Bottom.
Just saw this clip and realised I’d already seen Hammed Animashaun out of Black Ops in the National Theatre’s Midsummer Night’s Dream.

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Who else writes the date on the ink cartridges when they change them?
Just me? It’s just me, isn’t it.

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June 14: Sad to mark the passing of John Romita, aged 93. When I worked for Marvel, the art board you used was printed with him (or rather his wife’s) name. He was art director for years, and Virginia Romita board became the pre-printed board all Marvel artists drew on.
Of course out on the street you’ll see thousands of people wearing John’s work, because the key 1970s images of Spider-Man and The Hulk (and others) are the ones used on Marvel merch. He’s very big on wallpaper. Not that he ever saw any money from the constant reuse of those images he drew fifty years ago. Still, they’re great to see.

*****

June 15: If you have followed the #ComicsBrokeMe hashtag, you'll have read lots of comic creators telling tales of poverty, exploitation and disappointment*. Meanwhile the WGA Writers Strike highlights how creators on best-selling TV shows and movies are being exploited and fear for their future.
All of which begs the question: have creatives always been exploited? Does this happen in every industry? And why?
A further question is: why do so many of us bother? I know, for my part, I was a comic-reading funny-writing kid at school and always dreamed of doing it for a job. So I went to art college, then have spent the subsequent forty years trying to work in comics and comedy, and regularly succeeding.
I know a few of my contemporaries, and friends, who have become successful and rich doing what I do (and I will concede that they've managed this by, in most cases, actually being better at it than me), but it would seem they're the exceptions that prove the rule.
So I'm happy that I chose to pursue creative activities for a living, while fully aware that I'd have been wealthier and more secure in almost any other profession. Why does anyone else do it?
*I've also just re-read, for the umpeenth time, my favourite book Marvel Comics The Untold Story which is full of writers and artists getting ripped off and dumped.


Stumbled across on YouTube, an almost intact episode of Top Of The Pops from 1974. Quite amazing to see a dozen acts all miming live in the same studio on one night, no videos no recordings. And what a line up:
Queen (doing Killer Queen)
Sparks (Never Turn Your Back On Mother Earth)
Roxy Music (All I Want Is You)
Rubettes (Juke Box Jive)
The Glitter Band (Let’s Get Together Again)
Pilot (Magic)
Splinter (Costa Fine Town, with Kenny Jones on handclaps for some reason)
Nosmo King & The Jarelles
Pan’s People (Then Came You)
Peter Shelley (not that one)
+ a couple more I didn’t catch
Slightly problematic to watch cos the presenter is… you can probably guess. That notwithstanding, this is the sound and vision of my childhood, which might explain a lot.

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Who's managed more than one episode of The Gallows Pole?
We made our way through the first, championing Shane Meadows' approach. But I challenge anyone not to, at some point, have thought "oh get on with it".
When the chance has come to watch a second episode we've both kind of shrugged and thought we'd prefer something else. Sorry Shane.




O Hel Stud

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June 12: Shakespeare lovers - bargain alert!
My graphic novel Midsummer Night's Dream Team is currently on Amazon for just £4.22!
I have no idea how long this price will last, it's their doing not mine. But the cover price is £5.99, usual price on Amazon is nearer a tenner!
Also, I see, on Amazon you can read the first 20 pages for free. If you're not hooked after that, I don't know what.

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Weirdest reply I've had from a school (contacting them about my classes):
"Thank you for your email. The first 100 words will be read."
I mean, does someone count the words as they're going along? Is this their way of encouraging self-editing? Whatever, I can be pretty sure that's one school I won't be hearing back from in a hurry.
NB: I've just counted up the words in the emailI sent, and it will be read up to this point:
"Drawing on my 30 years experience in..."
They'll never get as far as my signature.

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If you’ve not been watching Changing Ends on ITVX, you should. It’s an absolute joy. Most fun sitcom on at the moment.
Only prob: it’s on bloody ITVX, the shonkiest system, with adverts you cant fast forward through and big blank gaps between them. Why not show it on the main ITV channel, where it would get a massive audience?


So, who remembers this little baby? And more importantly how the hell to describe it on eBay.
It's the Gremlins toy that got banned. Inside the plastic shell you see a little wrinkled Mogwai. But put it in a glass of water and it swells to five times its size.
Anyone see why it got banned yet? Yes, in 1985, this toy made its way onto the open market before anyone realised that, if a child swallowed it, it would quite obviously expand in their throat and either choke them or do something otherwise undesirable.
It's going on eBay as soon as I can work out how to describe it (no one appears to have tried selling one before).


Well this was shit. We lasted less than 10 minutes.

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Re Headline: Who's Unhoused In California?

Hands up who’d heard the word ‘unhoused’, meaning homeless, before?
Why do sociologists, academics and their ilk insist on changing the term that everybody understands, into a new word that needs explaining?
Who’s got a favourite term that’s been unnecessarily updated?
The one I miss is Asperger’s. (We’re now lumped in with the rest of the Autistic Spectrum which, I think, does a disservice to people at the extremes of the spectrum).


Someone think theare in a sauna is new? Someone's never been to the Edinburgh Fringe.

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Re: Marvel's Secret Invasion

Well that was shit.
Managed to yawn our way through the first episode but won’t bother with any more. Quite the dullest TV show for a long time. Dull characters talking interminably about stuff that’s not remotely interesting, and then … nothing happens.
Even when (spoiler alert) they manage to reduce the female cast by literally 50%, it’s impossible to care.
So many missed opportunities, so much time.

Most impressive part? Their ability to get from Kensington Gardens to The Piece Hall in Halifax, on foot, in just a few seconds, all while pretending they were in Moscow.


Oh dear, there goes a bit of my childhood innocence. I was just comparing Asterix books, my old 1970s edition of Asterix In Britain with a more recent 2000s version.
Who remembered the dialogue of the black Pirate used to be quite so, er, characterful in its patois?

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June 22: The headlines have been full of some millionaires who paid a fortune to go to sea in a dodgy submarine. So you might have missed some more important news...
Or are all deaths at sea not equal after all?

Top Tip: Refugees trying to escape across the Mediterranean or the Channel. Why not take a couple of billionaires on the boat with you? That way, when you sink, someone will give a toss and you'll be in the headlines every day for a week.

And we all know that, if the Windrush had sunk, unless there'd been some millionaires on board it'd never have made the news.
And then the Tories would've deported any survivors.
Happy Windrush Day.

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We’re obsessed by 4 billionaires dying at sea, and ignoring the 100 poor people who died in the Mediterranean last week. And why? Because it’s what we’ve always done.
In my life of TV watching, the lives of the rich have always, but always, been more fascinating to people than the lives of the poor. For every Cathy Come Home or Shameless there are 100 Dynasty’s and Successions, Dallas, Real Housewives of Beverly Hill etc etc
It’s distasteful, that so many column inches are devoted to the Oceangate story, to the exclusion of the tragedies of refugee boat sinkings which are much more noteworthy and whose victims are more deserving of attention, but it’s nothing new. Most Shakespeare plays are about Kings, Queens and the members of powerful families. We the Groundlings have always been captivated by the actions of our rulers and betters. I guess High Net Worth Individuals are the conquering kings of the day.


It’s just after Midsummer Night, so we’re watching open air Shakespeare.
Which play? Well obviously it has to be….
Twelfth Night. Don’t worry, we’ll go and see MND in January.

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June 23: Happy Brexit Vote-iversary
How’s it going for you? Me, I’m getting exactly what I voted for.
I voted to Remain, which means I voted to be ignored and to have to watch from the sidelines as the economy and society were damaged irrevocably. I watched as a country I used to be quite proud of, with obvious caveats, became an international laughing stock.
Somewhere in the multiverse there’s a Britain where the Prime Minister looked at that 52% vote and said “well obviously this isn’t binding, let’s talk further”. Lucky them.

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Light relief on news this morning. Every time our local news tellls us “…MP says he behaved foolishly when he took cocaine” Hev and I laugh, as we get that Armstrong and Miller sketch springing to mind every time.
Disgraced MPs really are the gift that keeps on giving.
(On the downside, his by-election will be won by the Tories and he will remain just as rich as he was before. )

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Fiddler On The Roof lyricist Sheldon Harnick Dies

Hydle-deedle-deedle-dydle-deedle-dydle-deedle-bye

My Books and where to get them:

Findlay Macbeth - Amazon  - Etsy 
Prince Of Denmark Street - Amazon - Etsy 
Midsummer Nights Dream Team  - Amazon Etsy 
Shakespeare Omnibus Collection (all 3 books) - Amazon
Tales From The Bible - Amazon -  Etsy 

Eurovision Colouring Vol 1 Amazon -  Lulu  - Etsy 
Eurovision Colouring Vol 2 - Amazon  - Lulu  - Etsy 

Eurovision French edition - Ã©dition en français
Eurovision Spanish edition - Libro para colorear
Eurovision German edition - Popstar Malbuch
Eurovision Italian edition - il libro da colorare 
Eurovision Swedish edition - Popstjärna MÃ¥larbok
Eurovision Colouring Best Of British - Amazon

Doctor Who Colouring - Amazon - Lulu  - Etsy 
Punk Colouring - Amazon  - Lulu  - Etsy 
60s Pop Star Colouring - Amazon  - Lulu  - Etsy 
70s Pop Star Colouring - Amazon  - Lulu  - Etsy 
80s Pop Star Colouring Amazon
80s Superstars - Amazon
90s Pop Star Colouring Lulu - Etsy
2020s Pop Star Colouring Amazon
Bowie Colouring - Amazon
Scottish Pop Star Colouring - Amazon
Rom Com Colouring - Amazon
Royalty Colouring - Lulu
Christmas Movies Colouring - Amazon

NB: Etsy editions are signed and posted by me, and generally cheaper  







Wednesday, 21 June 2023

AI Art - Finger counting continues


My petty little campaign against the onslaught of AI art, primarily in the Colouring Books community, continues (see previous blog here). With the hashtag #CountTheFingers, I seem to spot daily a new effort that's passing itself off as the creator's own art, but is obviously AI. Above we see a lion who has five fingers, but also a camel toe!


This ogre was among a collection that was the closest to comicbook line art I've seen yet. AI art usually struggles to produce pure outline, favouring greys and shadows. But this guy had nailed the look of Marvel comics art, until you counted the fingers.


This example takes today's stupid prize. This cute little Pixie has the right number of fingers alright. But somehow the 'artist' has failed to notice that she has a right hand on her left arm. Below is the full image to show it in context.


Here are more recent examples culled from Colouring Book posts. I realise I am, once more, playing the part of Old Man Shouting At Clouds, and that the progress of AI art will continue until every actual artist has been replaced. But until then, well this is a fun thing to have made a record of.



My Books and where to get them:

Findlay Macbeth - Amazon  - Etsy 
Prince Of Denmark Street - Amazon - Etsy 
Midsummer Nights Dream Team  - Amazon Etsy 
Shakespeare Omnibus Collection (all 3 books) - Amazon
Tales From The Bible - Amazon -  Etsy 

Eurovision Colouring Vol 1 Amazon -  Lulu  - Etsy 
Eurovision Colouring Vol 2 - Amazon  - Lulu  - Etsy 

Eurovision French edition - Ã©dition en français
Eurovision Spanish edition - Libro para colorear
Eurovision German edition - Popstar Malbuch
Eurovision Italian edition - il libro da colorare 
Eurovision Swedish edition - Popstjärna MÃ¥larbok
Eurovision Colouring Best Of British - Amazon

Doctor Who Colouring - Amazon - Lulu  - Etsy 
Punk Colouring - Amazon  - Lulu  - Etsy 
60s Pop Star Colouring - Amazon  - Lulu  - Etsy 
70s Pop Star Colouring - Amazon  - Lulu  - Etsy 
80s Pop Star Colouring Amazon
80s Superstars - Amazon
90s Pop Star Colouring Lulu - Etsy
2020s Pop Star Colouring Amazon
Bowie Colouring - Amazon
Scottish Pop Star Colouring - Amazon
Rom Com Colouring - Amazon
Royalty Colouring - Lulu
Christmas Movies Colouring - Amazon

NB: Etsy editions are signed and posted by me, and generally cheaper  


Saturday, 17 June 2023

20 year old Rejection letters & the birth of The Sitcom Trials


In my ongoing quest to empty some of the dozens of boxes we still have cluttering up the place, I open up a file of paperwork, relating to the stage shows Situations Vacant and Sitcom Trials that I was running circa twenty-odd years ago. And what should I find but a clutch of rejection letters.

Kids today may not be familiar with this paper-based phenomenon. But dating back to the days just before everyone had email, these letters from between 1999 and 2001 give a fascinating paper trail from my efforts to break into comedy writing.

I had started sending sitcom scripts to the TV and radio when I was freshly out of art college. My first effort, The Administration, was about the kids running the Student Union at a provincial art college. Write what you know, they say. That was 1984, and if I have the rejection letters from those days, they've yet to turn up. Further sitcom efforts followed, the next significant one being Needletime, which Alan Seaman and I co-wrote circa 1989, based on our time working on Radio Leicester's youth programme Primetime. Again, we were writing what we knew. And getting routinely rejected, obviously.

For the next few years, as I was making my way as a quite successful writer of comic strips, I would occasionally send my sitcom scripts and TV & radio ideas off to the various broadcasters and production companies that existed in those days. 

I achieved some small success, having two game show formats optioned by Talkback. One, Drs and Nurses, was a medical game show that found itself pipped to the post by a now-forgotten BBC2 show called Ps & Qs, presented by Tony Slattery. The second was Unbelievable, a game show about truth and lies, that was essentially Call My Bluff with stories. This never got made, and was beaten to the punch by two far better shows that came around a decade later: The Unbelievable Truth on Radio 4, and Would I Lie To You? on BBC1.

The bottom line with the sitcoms was that, no matter how well you thought you were doing, the best you could ever get for your efforts was a polite rejection letter. Which is where the idea for Situations Vacant and then The Sitcom Trials came from.

By the early 90s I'd started doing stand up regularly, and was getting somewhere with it. I had regular paid gigs, including MC-ing the weekly Comedy Box in Bristol. And the one thing you learn in stand up is that it's regular performance in front of a live audience that shapes your comedy. No stand up would get anywhere if they just wrote their comedy ideas down and sent them off to a producer. You get out there and perform them, and that's how you find out whether an audience finds them funny. And if they don't, you write more, and re-write what you've already written, until you have the funniest stuff you can have.

Thus Situations Vacant was a show I devised that would subject my sitcom writing to the same acid test of audience reaction as my stand up. I contacted actors, and other writers (via Venue, the local what's on magazine, another thing that'll be hard to explain to the kids) and we assembled a show where we showcased three or four situation comedies, of varying lengths, and saw how it went.

It went well. The idea was we'd stage the sitcoms, then based on the audience reaction we'd go away, rewrite anything that merited it, and we'd stage them again. We'd team write, contributing ideas to each others scripts, and we'd stage the improved sitcoms again.

Then we'd send these tried-and-tested sitcom scripts off to the TV and radio. And what do you know, it worked.

In 1996 our sitcom, Yikes It's Jesper, was sent to BBC Comedy. The very next day I got a phone call from producer Jon Rolph who said to me "Yes, I think we can do something with this."

This sitcom was co-written by me and journalist Ken Elkes, based around a central character Jesper, devised by Bristol Uni student Iain Morris. The title had been coined by up-and-coming comedian James Dowdeswell, and another contributor to our scripts at the time, who had one or two lines in this, was Bristol local Stephen Merchant. We wrote two episodes of Yikes... both of which had been sent to Jon.

It took a year before this sitcom found itself made into a pilot, recorded in front of a studio audience at the BBC Radio Theatre at Broadcasting House, under the name Come Together, and starring Ben Miller, Arabella Weir, Mel Hudson and Kevin Eldon.

Come Together (which had been renamed when Iain, who was by now working for TV company Avalon, withdrew permission for us to use his Jesper character) never made it beyond the pilot stage, ultimately being the sort of flat-share comedy that the BBC realised they already had enough of. However Jon was able to get us a second pilot, this time of a sketch show called Meanwhile, which starred Ronnie Ancona and Geoff McGivern. It was made in 1997 and also stalled after the studio audience pilot.

However Situations Vacant continued, and morphed in The Sitcom Trials, the format wherein the audience saw just the first half of each sitcom, then voted for their favourite and only saw the ending of the winner. Doing regular shows in Bristol and London, we would then stage full versions of earlier winners as the headline act of each show, giving them the vital test that would ready them for sending off to the TV and radio.

Which brings us back to the rejection letters above. Here we can see three sitcom projects getting turned down: 

Didn't You Used To Be..? was co-written by me and Geoff Whiting, and was showcased in Bristol and London with Tony 'Baldrick' Robinson in the lead role. There's a poor quality video of it somewhere. It was set in a QVC-like shopping channel and was, I thought, our funniest effort.

The Lavendar Millbank Mob was devised by Rich Johnston, with a number of writers delivering episodes. I wrote two (I think we staged six in all). It was about Labour party spin doctors and was beaten to radio by Absolute Power, and to TV by The Thick Of It.

Go Wild In The Country was the only written written by me alone. Under the pseudonym Jane Simon, which was very much my Currer Bell moment. This one actually ended up on TV, as part of the TV series of The Sitcom Trials.

Which is another story, for another day.

Read more about The Sitcom Trials in its own blog, here. There's a lot of it.


The Sitcom Trials is the comedy show where brand new sitcoms compete and the audience vote for the winner. Format copyright ©2023 Kev F Sutherland.

★★★★ "You will not be disappointed" - The Public Reviews

Saturday, 10 June 2023

Book sales - so much for Eurovision, live beats online



Now that's more like it. Before you read the rather maudlin post below about the state of my book sales, written early on Saturday morning, check out the update that came about during the rest of the day at Clevedon Literary Festival.

After a morning stood behind my table, as above, I then did a Comic Art Masterclass for 28 kids, all of whom had brought their parents. Which meant I got to sell books afterwards. 

After the morning session, 10am - 1.30, I'd sold £80 worth of books. After my class (for which I get paid, by the way) my total had gone up to £145. In short, I ought to do more days like this. The sales were:

Findlay Macbeth - 5 copies
Colouring books - 4 copies
+ one badge (first time I've had them on sale)

You'll see that the graphic novels are the big sellers, and you'll see from the photo that they're what I primarily promote in person. Now read on, showing how the online world compares to the real one...


Here's the big seller of the Eurovision books, but in all honestly it's hardly setting the world on fire. It would seem that the month of the Eurovision Song Contest, which one would expect to see sales rocket, was no great shakes for sales. I conclude that, selling my books to Amazon via Lulu ends in very few getting through and selling. Here are the Lulu sales for the month of May:

£48.33 for the month shows no growth, and compares feebly to the May figure of £52.26, April just £8.56, March £38.57, Feb £35.25, and Jan £26.84. The breakdown by book is even more disappointing:

Eurovision Best Of British - 21 copies (1 Canada, the rest UK)
Eurovision Volume 2 - 5 (US)
Eurovision Vol 2 Swedish Edition - 1 (Germany)
Punk - 2 (US)
80s Superstars - 1 (UK)
80s Pop Stars - 1 (UK)
60s Pop Stars - 1 (US)
2020s Pop Stars - 1 (UK)
Royalty - 1 (US)
Captain Clevedon - 1 (UK)
Tales From Bible  - 1 (US)
Findlay Macbeth - 1 (UK)
Midsummer Night's Dream Team - 1 (Australia)

So the sales of the foreign language editions of the Eurovision book have vanished entirely. Last month I sold 12 Spanish, 7 French, and 4 Swedish editions. This month only 1 Swedish and none of any of the others. Something must have happened, maybe they've been banned from listings. Whatever, there is no point in continuing with those books. I can just conclude that they were fun when they lasted, and in the glory days when I was able to sell them direct through Amazon, but now they're pointless. I'm also curious that only 1 copy per book has sold of any of the others. Does that mean some organisation is sampling them before they choose not to list them? I really don't know. But let us wave goodbye to colouring books once and for all, shall we?

Etsy Sales May 2023 = £58.05 (compared to £171.05 in April)

Eurovision Vol 2 - 4
Eurovision Vol 1 - 1
Punk - 1
Scottish Pop - 1
Eurovision Digital 1 - 4
1960s Pop Digital - 2
1970s Pop Digital - 1
1980s Pop Digital - 1
80s Superstars Digital - 1

Sales of junk on eBay keeps the side up. It's hard to see your month by month sales, just this 90 day figure. But it's higher than last month's £259.90 so I guess that means I sold about £120 worth of junk this month.


Draft 2 Digital (which only has ebook versions of my 4 graphic novels on it) doesn't really add to the coffers.


Oh yes, and then there's Blurb. Look on the works of my publishing empire ye mighties and despair.

NB: Re the sales I made at Clevedon Book Festival, those figures are for total book sales, whereas the 
Lulu/Amazon figure is for my share of the profits, after Lulu and Amazon Print On Demand have taken their cut. The Etsy sales are the total sale amount including postage.

Once again, I conclude I really have to finish those two almost-ready crime novels, and get them out there (by whatever means). 

My Books and where to get them:

Findlay Macbeth - Amazon  - Etsy 
Prince Of Denmark Street - Amazon - Etsy 
Midsummer Nights Dream Team  - Amazon Etsy 
Shakespeare Omnibus Collection (all 3 books) - Amazon
Tales From The Bible - Amazon -  Etsy 

Eurovision Colouring Vol 1 Amazon -  Lulu  - Etsy 
Eurovision Colouring Vol 2 - Amazon  - Lulu  - Etsy 

Eurovision French edition - Ã©dition en français
Eurovision Spanish edition - Libro para colorear
Eurovision German edition - Popstar Malbuch
Eurovision Italian edition - il libro da colorare 
Eurovision Swedish edition - Popstjärna MÃ¥larbok
Eurovision Colouring Best Of British - Amazon

Doctor Who Colouring - Amazon - Lulu  - Etsy 
Punk Colouring - Amazon  - Lulu  - Etsy 
60s Pop Star Colouring - Amazon  - Lulu  - Etsy 
70s Pop Star Colouring - Amazon  - Lulu  - Etsy 
80s Pop Star Colouring Amazon
80s Superstars - Amazon
90s Pop Star Colouring Lulu - Etsy
2020s Pop Star Colouring Amazon
Bowie Colouring - Amazon
Scottish Pop Star Colouring - Amazon
Rom Com Colouring - Amazon
Royalty Colouring - Lulu
Christmas Movies Colouring - Amazon

NB: Etsy editions are signed and posted by me, and generally cheaper  




Friday, 9 June 2023

AI Art - Count The Fingers


Another day, another Colouring Book from a publisher who's used AI and, slap bang on their front cover, has failed to COUNT THE FINGERS!

I don't know which is more puzzling. The fact that AI can't draw hands, or the fact that these Colouring Book scammers don't even notice.
(These AI books continue to swamp the colouring book market. I'm keeping an eye on it, knowing that the other fields we all work in will be getting this treatment next.)

The author has replied: "if you do not like ai, you can scroll and not purchase- no one is forcing you to buy what you do not like. It is personal preference. That is what is wonderful about this country. Freedom to choose. Cartoons are cute and whimsical. No one said they have to be accurate."


Posted to "Coloring Book Fans" group, by me just now (& likely to get removed): 

Fellow Colouring Book Fans, should we ask publishers to make it clear when their artwork has been made by AI?

I notice, this year, there has been a deluge of AI-produced colouring books, which is very worrying for those of us who draw our books by hand. Many comments in this group flatter the publishers and praise their talents, as if they think this has been drawn by the person posting the pictures. A number of other comments make it clear that they don't care if the art is human-made or AI-made.

So my question is: do enough of us care?

Meantime, you can help spot the AI art by looking at the tell tale signs - and counting the fingers!





How do I love thee AI? Let me count the fingers.

I posted that on a thread below the Colouring Book pictures of the guys, above, who'd produced Freddie Kreuger with six fingers. Here is a sample of the discussion that followed.

Mini Chan
Top contributor
I think these are absolutely amazing! No matter what anyway says, you have talent!!

Chris Zoch
Author
Top contributor
Mini Chan Thank you for the kind comment ðŸ™‚

Stephen Barnwell - Well, it is AI

Kev Sutherland - Yes, they have talent at typing. #AI

Chris Zoch - Kev Sutherland you poor failed existence

Kev Sutherland - Whatever that means, I’ll take it

Mini Chan - Well let me see you type this up, then send me the results. Just curious on how it will come out. -I also would like it as detailed as these. If you can do this then I'll see why you dislike these so much.

Mike Donaldson - Honestly, why is this even a debate? You just type a specific sentence into an AI generator and then sit back and profit. And that’s it. Anyone saying otherwise is being disingenuous at the very least. Here… piece of piss… (Below, art posted by Mike)


Mini Chan - You also have to consider the fact of that it takes imagination and originality, I see nothing original about your photo. Have details. Regardless why hate on people who use AI? Why comment rudely with an opinion that can just stay with yourself? There are plenty of people who liked this man's work AND will color it.

Chris Zoch - I thank you. However, I have given up at this point; they don't want to understand. Interestingly enough, it seems to be suspiciously often older men over 50. It appears that they don't want to accept the future's change and are unable to work with it themselves. It's probably similar to when automobiles were invented, and coachmen feared losing their jobs. In Germany, we say "go with the times" or "go with the times" I have used my own illustrations and created additional images with AI instead of desperately writing comments on Facebook and criticizing other people's work. Below is an example of my Cthulhu base. I have tried to explain this to those people numerous times, but unfortunately, it doesn't seem to make a difference. And the fact that my images are no longer visible in the post shows me that the admins likely share the same view. It's sad.


(above: Chris Zoch's artwork)

Kev Sutherland
Top contributor
That’s your hand drawn art? It’s good.

My Books and where to get them:

Findlay Macbeth - Amazon  - Etsy 
Prince Of Denmark Street - Amazon - Etsy 
Midsummer Nights Dream Team  - Amazon Etsy 
Shakespeare Omnibus Collection (all 3 books) - Amazon
Tales From The Bible - Amazon -  Etsy 

Eurovision Colouring Vol 1 Amazon -  Lulu  - Etsy 
Eurovision Colouring Vol 2 - Amazon  - Lulu  - Etsy 

Eurovision French edition - Ã©dition en français
Eurovision Spanish edition - Libro para colorear
Eurovision German edition - Popstar Malbuch
Eurovision Italian edition - il libro da colorare 
Eurovision Swedish edition - Popstjärna MÃ¥larbok
Eurovision Colouring Best Of British - Amazon

Doctor Who Colouring - Amazon - Lulu  - Etsy 
Punk Colouring - Amazon  - Lulu  - Etsy 
60s Pop Star Colouring - Amazon  - Lulu  - Etsy 
70s Pop Star Colouring - Amazon  - Lulu  - Etsy 
80s Pop Star Colouring Amazon
80s Superstars - Amazon
90s Pop Star Colouring Lulu - Etsy
2020s Pop Star Colouring Amazon
Bowie Colouring - Amazon
Scottish Pop Star Colouring - Amazon
Rom Com Colouring - Amazon
Royalty Colouring - Lulu
Christmas Movies Colouring - Amazon

NB: Etsy editions are signed and posted by me, and generally cheaper  
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