Thursday, 2 July 2020

Kickstarter - where pledges came from



An interesting breakdown from Kickstarter, which I hadn't noticed before, telling me where my supporters for Prince Of Denmark Street came from. It seems Facebook is worth sticking with.

Though I'm not sure how they assess this information, and maybe I should be worried. But whatever, it's highly informative. Nearly 30% of my supporters came in via Facebok, 13% via Twitter, and 15% via, er, "Direct traffic no referrer information" which is both helpful and unhelpful.

Nice to see bleedingcool.com so high in my rankings. Thanks guys.

That table in full:

Referrers

ReferrerType# of Pledges% of PledgedPledged
FacebookExternal3128.66%£580.00
Direct traffic no referrer informationExternal1514.87%£301.00
twitter.comExternal1213.64%£276.00
InternalKickstarter68.30%£168.00
bleedingcool.comExternal46.82%£138.00
SearchKickstarter55.53%£112.00
youtube.comExternal24.00%£81.00
Android deep linkKickstarter23.51%£71.00
Graphic Novels (Discover)Kickstarter62.62%£53.00
bing.comExternal12.47%£50.00
UpdateKickstarter21.73%£35.00
kevfcomicart.blogspot.comExternal21.53%£31.00
Email: backer's friends notified of their pledgeKickstarter21.19%£24.00
EmailKickstarter11.04%£21.00
Profile saved projects liveKickstarter11.04%£21.00
Advanced DiscoveryKickstarter10.74%£15.00
Recommendations (Discover)Kickstarter10.64%£13.00
Starred ending soonKickstarter10.54%£11.00
Discovery newestKickstarter10.40%£8.00
EmailKickstarter10.30%£6.00

Wednesday, 1 July 2020

Journal Of The Plague Year - June



June has been a slow month which feels like it has nothing to show for it. It seems odd to say that after over three months of lockdown, but having written, drawn and published a complete graphic novel - of which I'm really proud (Prince Of Denmark Street) - between the middle of March and the start of June, I can really look back at those first two and half months and know what I did.

But, having finished the art for PODS on June 1st (my whole worksheet is here) there was then all the bitty stuff to do, which isn't so creative and feels less substantial. I launched the Kickstarter, compiled the pages into a book, printed a Blurb version, made amends based on how that looked, and waited till the Kickstarter finished (£2024 pledged, let's see how much comes in after some people have backed out, and Paypal and Kickstarter have taken their wedge) before completing the Thanks page and getting it off to the printer. A lot of little stuff, and a fair bit of waiting, coupled with lots of tweeting, emailing, and otherwise spreading the word, which has paid off but, you know, doesn't leave you with tangible stuff where you can say "look what I achieved today".

Of course I also started writing a third book, on June 5th in fact, but doing that at the same time as all the above has meant I'm taking it slower. Nearly a month later, I've only just laid out all 120 text pages ready to start the pencil rough scribbles. (PODS took 14 days to write, 4 to lay out; FM took 9 days to write, 8 to lay out; MNDT has taken 14 days to write, 6 days to lay out. Oh, it just seems slower than the other books, in fact it isn't).


Doing the first Zoom class was a boost, and gave me the hope that my teaching work could be revived. So a lot of emailing of schools and teaching contacts took up a couple of days. Since when I've learned that, not only is end of term just ahead for everyone, but that some school authorities aren't allowed to use Zoom, and some that do classes (with Microsoft Teams, which I can get) aren't allowed to see the kids. Which would make my class a little unworkable. "Hold your work up to the screen. Okay, now describe it."

June has been the month where financial reality has bitten, lockdown wise. March through May really were the honeymoon period where, not only did I have the boost of not having to put thousands of pounds into my usual planned Edinburgh show, but I also had my income coming in for all the work I'd done up to the middle of March. That always takes two months to come in, so I didn't even have any dip in income till the end of May. But now I, and all freelancers obviously, have to start finding sources of income, or things will get progressively worse. I'm working on it. But comic art classes will only build slowly, and even then probably not till the Autumn term. 

And the books, though I'm proud of them, are not turning much of a profit yet. The Kickstarter for PODS covers the cost of printing, and mailing out to supporters, but that's about it. I emailed every comic shop and independent bookshop in the country (another couple of those days in June that didn't show much for the time spent) and got about half a dozen copies ordered. Until face to face events resume, which were my big plan for promoting Findlay Macbeth, I'm going to be sitting on boxes of books for the foreseeable.


The lockdown has loosened considerably. So, though we are still enjoying our Clevedon walks, and in these three months have seen more of the back streets and surrounding countryside of our fair town than we'd seen in the preceding 30 years, we've been able to go further afield. We now wear face masks, but not constantly, and in Clevedon are about the only person we've seen wearing them. They're more prevalent in Bristol, but far from universal.

Quoting Cumming Rules, we drove through Bristol for the first time in 12 weeks on May 31st, having not dared to even leave Clevedon other than to shop at M&S Food Hall in all that time. Since then I've had my car serviced, an event that had been postponed since the end of March, and we've walked round most of our old stomping grounds in Bristol. Though most shops have still to open, and the museums and galleries aren't back yet, and one still feels the need to avoid narrow alleys and places where you can't keep six feet from strangers. Normal service has definitely not yet been resumed.

July will, by the look of it, be spent writing the new book. This time with the increased nagging feeling of not earning any money ever present in the background. Let's see how we get on. In the meantime, here are my nuggets of wisdom from Facebook.



June 17 - Coronavirus hasn't gone away, why are people acting like it has? - The Guardian

Tell us about it. We're currently fuming cos our upstairs neighbours and their kids have returned, arms full of party balloons, from their third stay away at one or other of their parents houses, over 100 miles away.

Am I wrong or aren't you supposed to treat a house divided into flats as if it was one house? It's back to fumigating the door handles, avoiding them in the hallway, and posting passive-aggressive posts like this! 🙂

June 18 - Logan Run Video

Interesting this video should pop up when I was thinking about Logan's Run and how this is actually the world Covid 19 could give us.

A disease that kills old folk but leaves kids, teenagers and twenty somethings unharmed? I see a near future where it's me and Jenny Agutter on the run, again.

June 19 - Drive In Movies announced

"Your only technical requirements will be: a convertible car, the sun to have gone down by 7 o'clock like it does in the States (not nearer 10pm like it does here), and for it not to piss down all summer."


June 20 - Slade As Girls

I think I may have broken Face App. Recalling my childhood when, watching Top Of The Pops, the cry would go up from Mum and Dad: "Is that a boy or a girl?"

Turns out Face App thinks female Noddy would have sideburns, and female Don would look like, well, this.


Look at this Sun front cover from yesterday (ignoring the Muslim-baiting headline below). What's Paul McKenna saying? "Corona-Phobia"?

So, is taking the disease seriously a phobia, or irrational fear, now? Would The Sun prefer we learned to ignore it, or embrace it (like you do with other phobias, say spiders or heights)?

I mean, I don't mind them using Sun readers as the petri dish for this experiment, rather than me. But it does seem a bit brazen doesn't it?

June 23 - Lockdown restrictions will allow theatres "but not live performances". Why?

If you're worried about comedians projecting particles, why not put us behind a screen? Hint hint, this comedy act performs behind sheets of tartan material and wears hand coverings throughout!



Announcing my new ventriloquist act, safe to perform under the latest lockdown restrictions. #TakingBookingsNow

June 24 - You can call Bingo, but not tell jokes

Looking forward to a lot of Bingo Shakespeare soon. “On their own-a, the Two Gentlemen of Verona”

June 25 - Maxine Peake Interview in the Independent

Oh gawd, it doesn't take long to fall down a rabbit hole, does it? I was looking at the "Starmer sacks Long-Bailey" story, and seeing he'd done it cos she retweeted an interview with Maxine Peake which mentioned in passing a suggestion that US Police had been trained in techniques, including the knee-on-neck hold, by Israel's defence service. A suggestion which, it was said, was an anti-semitic conspiracy theory. So why would Maxine have said it? I googled.

In the rabbit hole of research the big thing to double check is the sources, so I automatically dismiss obviously biased websites (eg, I dismissed TRT because it's a Turkish national paper). That left me with Amnesty International, The Washington Post, and The Times Of Israel, all with articles from the last month about how the choke hold used on George Floyd was one of many techniques taught on exchange programmes and training seminars between US police forces and Israel's defence forces.

I have no doubt dozens of police forces have been trained in dozens of other nasty things by organisations in dozens of other countries. Surely stating that, if it is indeed a fact, isn't an act of discrimination against either of the countries involved, or the ethnicity of their population, is it? I hope I'm not going to be accused of anti-semitism am I? If it's any consolation, I would have fired Long Bailey cos her mouth's too small.

(The articles are in the comments, so I'm not blatantly re-posting stories whose veracity I still haven't established).

UPDATE: I've had very good points made to me, on and off thread, about the 'dog whistle' messages, bringing Israel into Black Lives Matter in a way that reinforces antisemitic tropes and conspiracy theories. I confess I too was deaf to the dog whistles and, looking at the Maxine Peake interview, saw nothing untoward. I now see how it can look different from a different standpoint, and that a lot of people from parts of the Labour Party have history on this.

June 26 - We have a new winner in US states doing worst against Covid: Arizona, whose infections have tripled in the last fortnight.

Talking of changing the subject, guess which President chose which US State to hold a rally in this week? 

June 27 - "Shut up and play Ja Ja Ding Dong!" (We enjoyed the Eurovision film)

June 27 - With Graham Linehan, did Twitter just try turning him off and on again? #glinner

So who else now has a Guilty Pleasures pile of TV and music that they, secretly, still enjoy, despite the guys who made it? I can't bring myself to hate Father Ted & The IT Crowd, and recently enjoyed a rewatching of Black Books.

I still like, or at least get a nostalgic twinge from, music like Rock & Roll Part 2 and Everyone's Gone To The Moon. There must be people who have the same conflict with music by R Kelly. And, as far as I can see, nobody's stopped playing Michael Jackson. Dammit, I even have fond childhood memories of the Jim'll Fix It theme. And I still use Gill Sans.

Anyone else got proper guilt Guilty Pleasures like these? (Or am I just the worst person left on the planet and should cancel myself?)

June 27 - Legendary designer Milton Glaser's died, aged 91. He designed the I♥NY logo, as well as one of the best DC comics logos. And he made this film, Mickey Mouse in Vietnam.

Milton was one of the beneficiaries of a fashion among Jewish American parents in the early 20th century to name their kids after poets and authors. Hence a cluster of 90 year olds with names like Milton, Melville, Shelley and Byron. Not interesting but true.



Just watched Billie Eilish at Glastonbury. How 2020 was this stage gear?

June 28 - I've finally finished that gig in a library I started months ago. What idiot taught me I had to read the room?

I wrote something earlier and now I can't see it for duck feathers. I doubled down on it.

June 29 - Hotel rooms in Edinburgh this August for £30 a night? I can see an impromptu Fringe happening (unless Covid-free Scotland closes the border to the bubbling cauldron of poison that is England, in which case: still missing you Edinburgh!)

June 29 - I don't get this fad for watching every episode of Friends but only the scenes with Chandler in. Oh, you said Binge watching?

June 29 - Can anyone verify a story that I heard at the time but now can't find evidence of? After Bowie had played his Glastonbury set, he stayed at a nearby hotel. When he left the next day, reception found he'd left his credit card behind.

They phoned the bank and were instructed to destroy the credit card and they'd issue the client a new one. So the staff at a hotel near Glastonbury duly cut David Bowie's credit card in half with scissors. Just as David returned, having realised he'd forgotten it.

Anyone got a written record of that story?


For anyone who doesn't appreciate how stupid The Leicester Lockdown coinciding with Pub-Opening Weekend is - look at that map!

On Saturday, the government has now guaranteed that Covid will be spread to the seven - yes SEVEN - counties that border Leicestershire. Forcing every pub-goer, and shopper, to the adjacent county (and show me another county with that many adjacent counties) must be a deliberate move, no-one could be that stupid.

Come on, it's one of the counties Cummings drove through on his way to Durham and back. He must have noticed!


Kev F Sutherland, as well as writing and drawing for The Beano, Marvel, Doctor Who et al, runs Comic Art Masterclasses in schools, libraries & art centres - AND NOW ONLINE VIA ZOOM. email for details. His debut graphic novel Findlay Macbeth is available on Amazon. Follow Kev on Facebook, Twitter. Promo video here. 

Thursday, 25 June 2020

My first Zoom Masterclass - it's good to be back


If anyone wants to book my Comic Art Masterclass this summer, I'm delighted to announce I can now do the whole show by Zoom!

Thanks to an excellent teacher at Red Maids Juniors in Bristol who brought this about, I delivered my first day of online Comic Art Masterclasses on Wednesday, via Zoom, and I'm delighted to report they went well.

I had had the greatest trepidation about offering this, having no idea whether I'd be able to bring the experience of my live classes to the small screen. But it worked. Although, for a large part, you have to keep the sound of the pupils muted otherwise it's a cacaphonic mess, it was possible to tell that they were laughing in the right places, and I even got an audible 'wow' at one of the apt moments.

These particular pupils, years 4, 5, and 6 at Red Maids, are well versed in Zoom classes. They've been doing them all term and are totally up to speed with muting and unmuting themselves to ask questions. This meant I was able to work with three large groups in the day, something that's not possible in an actual classroom. Getting 25 faces to a zoom screen, my first one hour class (with years 2 and 3) was a simpler affair, to two screens worth, the year 2s all being in one classroom together. 

Then the full two hour classes (4 & 5 in the morning, 6 in the afternoon) were to three screens worth of pupils, so over 50 of them. I simplified some parts of my usual class, so for example choosing the title for the group comic was done by selecting from just half a dozen suggestions, held up to the screen, rather than from the usual 30 ideas scribbled on bits of paper. And instead of doing all the examples on the flipchart, I did a lot of the "How To" drawings on A4 sheets on clipboards, which again worked fine. Hoping I get to do more of these, I can see how I can refine and expand these parts so we get more stuff that I design for this working method, rather than just adapting my previous routines. Given the large class sizes, only half of them could get their caricatures drawn, but we agreed that in advance and the teachers had chosen who would be drawn.


Because there was no travelling to be done, the class cost the school less than it would normally, and the time I would have spent in the car was spent finishing the front covers off, and doing additional caricatures from photos of kids who hadn't been able to be drawn live. NB: Caricatures drawn on Zoom suffer from one slight problem in that I'm looking up everyone's noses. It was hard to get them to position their faces so they were looking straight on to you. So they may go away thinking they all look a bit more nostril-y than they do in real life.

We weren't able to produce the finished photocopied comic, obviously, and because most of the pupils were working from their respective homes, it's not even something the teacher would be able to do. But, as has been the case in many classes before, if the kids aren't expecting a comic in their hands, they don't miss it. The teacher was kind enough to tweet the above photos of year 6 pupils holding up their work, which was of the highest quality, as good as I get in a hands-on class. (I wish we'd managed to get a shot of them looking less miserable. Trust me, they were smiling almost all the rest of the time!)

I shall now be plugging myself furiously to all my schools, as I now feel confident in offering these classes, and it would be great to get back to proper paying work again (not that I've not been enjoying being a full time graphic novelist, but I would have to see 100 copies of one of my books to earn as much as a day doing classes). The only tiny niggle I have is claustrophobia. Once I was doing the classes it didn't trouble me at all. But setting up the room, I was aware how much space a flipchart stand takes up. Once that's erected in my little studio, I'm left with as much space to work in as a space shuttle cockpit. And no one gets to see my legs. I'd forgotten how much physicality there is in my usual classes.

It's good to be back! Most satisfying to have done my first Comic Art Masterclass in three months (the last was at Baldock Arts Centre on March 14th). Let's see if I can arrange any more.


Kev F Sutherland, as well as writing and drawing for The Beano, Marvel, Doctor Who et al, runs Comic Art Masterclasses in schools, libraries & art centres - AND NOW ONLINE VIA ZOOM. email for details. His debut graphic novel Findlay Macbeth is available on Amazon. Follow Kev on Facebook, Twitter. Promo video here. 

Go To Greggs - The Socks live online



Recorded for Dean Friedman's Dean Zine Live Stream on June 21st, here's the Socks doing Go To Greggs, from last year's Roll Up show. I think this may be the first time this song's appeared online, so do enjoy it.

We also joined in with a singalong of Smelly Feet with Dean, some of the viewers, and this week's special guest Ben Norris. Next show the weekend after next (we're doing alternate weeks, it's great fun).



The Scottish Falsetto Socks full hour-long Superheroes show is available, free, on Youtube here. See more of their videos all over Youtube, follow them on Twitter and Facebook. And, if you're lucky, they'll be performing live again as soon as that's a thing.

Fresh Prince Of Denmark Street - video



A brand new bit of fun, a video of the 'rap' Fresh Prince Of Denmark Street' that I threw together when inspiration struck. I can confirm it's done little to boost the Kickstarter, but I enjoyed doing it.

The figure of me was made by Felicity & Tom, my Christmas present last year. Isn't it the best?


My debut graphic novel Findlay Macbeth, available on Amazon now: https://www.amazon.co.uk/dp/152725853X

Order through Gardners or Askews and Holts, ISBN 978-1-5272-5853-2

Friday, 19 June 2020

The Deli Song - Dean Friedman and The Scottish Falsetto Socks



What a treat this was. The Socks duetting with Dean Friedman on one of our favourite tracks of his, The Deli Song (Corned Beef On Wry) from his classic 1978 album Well Well Said The Rocking Chair. 

This was performed live as part of his Sunday night Dean Zine Live Stream, a special All Request edition done on Zoom, rather than his usual SteamYard set up which can also be seen on Youtube and Facebook. This was a ticketed event, where the audience were also visible on screen. An odd set up, as many performers are discovering, because of the difficulty of filtering out each others sound. Essentially the performer has to mute the audience until the end of the song, then let their cacaphonic applause and comments crash over each other. 

The Socks had to unmute themselves to join in. Which, if you've ever tried operating the trackpad of a laptop while wearing socks on your hands, is a more complicated procedure than you expect. But it worked and I'm delighted with the result.

These concerts by Dean have been an absolute delight to be part of, we're doing another one this coming weekend,  and though hardly a big earner, he does pay us what he can for them, and they're getting the Socks to a whole new international audience, which is marvellous.

See more at deanfriedman.com, and we'll keep spreading the love.



The Scottish Falsetto Socks full hour-long Superheroes show is available, free, on Youtube here. See more of their videos all over Youtube, follow them on Twitter and Facebook. And, if you're lucky, they'll be performing live again as soon as that's a thing.

Tuesday, 16 June 2020

Journal Of The Plague Year - May to June

Really? A month without writing a diary? In truth, drawing Prince Of Denmark Street has kept me delightfully busy. It’s been the best feeling, knowing what I have to do every morning, then going to my desk and doing it. And at the end of the day having between two and four pages drawn. 


(Work in progress on PODS here, and the new book here)



Dean Friedman’s DeanZine Live Streams on alternate Sunday nights have been my only Scottish Falsetto Sock Puppet Theatre gigs. On April 19th we debuted Stay Two Metres Apart and did the What Kind of F&C Song; May 3rd we duetted with him on Lucky Stars and debuted Miley Cyrus; on May 24th we debuted The Bechdel Test Song, and on June 7th we duetted with him on The Deli Song. These have been the greatest fun and such an honour.


Felicity’s fortnightly Zoom quiz parties, which are the same weekends at the Dean shows, have been our only communication with the rest of the world to speak of. On May 23rd it was Tom’s Birthday Murder Mystery Night, which we curated and briefed everyone on, sat at Doris Hatt’s 1930s house in Clevedon. On Sat 6th June we did the Conservatory Escape Room. Others have been straight quiz nights, where Hev & I’ve loved making up questions which, I’m sure, no-one has enjoyed answering. I love answering other people’s questions, so maybe I’m getting more out of these parties than most.


May 7: Be honest, whose heart lights up at the words "is returning with a Lockdown Special?"



May 8: Was David Tennant auditioning for the role of Findlay Macbeth on tonight’s HIGNFY?


May 14: The Covid story - which episode are we in?

I’m finding it quite exciting not knowing which episode of the Covid Story we’re in. Is it the first chapter, or the end of Season One?

It all hinges on what happens following May 10th’s “Stay Alert” plot point. If nothing happens, infections continue to fall, and it all goes away, then it turns out we were at the end of Season One, and the disappointing Season Two will be more about the run up to the US election than anything else.

But if we get the Commuter Conundrum from the crowded tubes and buses, or The Clubhouse Cluster episode where every golfer and tennis player gets it, or the subplot of the Estate Agent Superspreader, it could be that we are in fact only at the end of episode one, and the season’s only just starting.

So exciting.


May 16: The Lockdown movie-trawl continues to see us watching things we might have otherwise overlooked. Here are two corkers from this week - Adult Life Skills and The Breakfast Club.

Adult Life Skills is by first time writer/director Rachel Tunnard, based on her award winning short, and it stars Doctor Who. Simple and sweet.

And I'm probably the only person who'd managed to let 35 years slide by without ever seeing The Breakfast Club. John Hughes truly was a brilliant and original film maker (I can watch Home Alone and Planes Trains & Automobiles forever) and this has stood the test of the decades well. Feeble ending notwithstanding (spoiler alert) it's an excellent bit of writing and directing.

https://en.wikipedia.org/wiki/Adult_Life_Skills


May 21: The jury's still out on Sweden. I was, a month back, keeping track of Sweden's Covid death toll, but found it wasn't telling us anything conclusive. Today we learn Sweden has the highest death rate per capita in the world from Covid. But that still doesn't tell us anything.

The Swedish government's argument is that people were going to die from Covid, and that's what's happened. They've let it happen faster than other countries, which means they'll achieve 'herd immunity' before other countries, and in the meantime they've kept their economy running more actively than other countries.

Meanwhile New Zealand has all-but eliminated Covid from the country, meaning that as soon as they let in an infected tourist their Covid pandemic restarts from scratch.

The UK are somewhere in the middle. Unlike New Zealand and Sweden, the UK didn't have a plan. Or rather they started with the Swedish plan ("Herd immunity, and if a few pensioners die, then tough" - Dominic Cummings), then when they realised our hospitals wouldn't be able to cope with that rate of cases, they moved in the New Zealand lockdown direction, but far too late. And here we all are then.

It will be months before we can start reaching conclusions about what was the best thing to do, who did the best thing, and what people did wrong. In the meantime, judge not lest ye be judged yourself, I guess.



May 22: (The Dominic Cummings story breaks) 

New Game show idea: Corono-dem or Corona-done?

Who do we forgive for breaking the rules, who do we let off because we like them? Round 1: Dominic Cummings v Neil Gaiman.

Round 2: Kirsty Allsop v our upstairs neighbours.

Repeat until you've vented sufficiently.

Sources close to Dominic Cummings defend his trip from London to Durham while he had virus symptoms.



May 24: Dominic Cummings is let off


Disastrous. This is where the Second Wave of infection begins. From this moment on no one will heed any instructions for lockdown. If a government employee can flout the clear laws and guidelines, then nobody will feel bound by them.

This cowardly decision has killed people. (Says he, hoping to be proved wrong.)


The good news is, we live with 250 miles of loads of great places, so sightseeing trips are back on.

Don't worry, we plan to kidnap a 4 year old child to ride shotgun. We know the rules.

#DominicCummings



May 31:

Whither Lockdown?

The lockdown has disintegrated, whether by cockup or conspiracy (and my money's on cockup). This week, quoting "Cummings Rules" we drove through the centre of Bristol for the first time in 2 and a half months (we live ten miles away) and even stopped to buy something. It looked like a normal weekday except most shops were shut. I'm sure most of you can report similar experiences from the last two sunbathe-and-barbeque weekends.

The problem will come if this much vaunted Second Wave is really big, as some say it will be. Chances are places like my town (in North Somerset, the whole county of which has had just 444 cases and 94 deaths) have seen nary a microgram of coronavirus in all this time, and any drop of it that's come to town has been avoided till it died. If, as is feared, the first tourists bring it for, effectively, the first time and we have a super-ballooning of cases, how will anyone impose a lockdown again?


June 1: You know what I've always wondered? Whose job is it to put Trump's toys back in his pram every night?


June 2: Today I am buying ISBN numbers. Rather optimistically I am buying a pack of ten, instead of just the one I need.

From this we can conclude the pandemic will end tomorrow, I'll get back to work in schools, and will never have time to write another book.


June 7: That feeling when you get a survey from a car hire company asking how much you enjoyed the car you forgot to cancel from your cancelled flight this weekend!

(Yes I'm checking my future flights!)



June 15: Here's what you're missing. The convention table you could have seen me sat behind at Satellite Conventions Glasgow & Lawless: A Celebration Of British Comics Bristol & #LFCC & The Lakes (you still might) & Bath Comic-Con and more...

Who's organising any social-distanced cons? I'll sign books and throw them at anyone who wants one!



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